Musical Stages, 14 March, 2000, Lynda Trapnell
“Once again, Bridget Kimak produced a clever setting … her work is so good that it deserves a special mention and wider appreciation.”

The Times, January 17, 2000, Jeremy Kingston
Carol Metcalfe’s staging of this number (On a Clear Day You Can See Forever), captures the yearning by placing the cast of nine at various levels of Bridget Kimak’s “Daughter of Art Deco” set.

Time Out, January 19, 2000, Maddy Costa
“Bridget Kimak’s elegantly off-kilter set and fine costumes are warmly lit by Ace McCarron. From Lerner’s soapiness, Bridewell TC have conjured rainbow-coloured bubbles.”

The Stage, January 13, 2000, Peter Hepple
“…an outstanding sixties setting by Bridget Kimak…”