London Evening Standard, 25 March, 2003, Stephen Pettitt
“Amid Bridget Kimak’s ingeniously flexible set design – an array of translucent plinths, a dais topped by a globe, a drapery of white muslin – the young artists moved with confidence while offering impressive comic and dramatic timing.”

Times Literary Supplement, 4 April 2003, Andrew Porter
“Bridget Kimak’s set was a handsome neo Classically decked ramp. advancing out through the proscenium arch and so enhancing the little Britten Theatre, with a singer-to-audience immediacy that gets lost in behind-the-frame presentations.”

The Spectator, 5 April 2003, Michael Tanner
“…the witty, simple, handsome production of Christopher Cowell and designer Bridget Kimak…The total effect was of masterly complexity, of an achievement which any opera house in the world would be proud of – if they were capable of bringing it off.”

The Stage, David Blewitt
“Bridget Kimak’s simple classical designs were a plus.”